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Scott Stapp – Higher Power (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 39:12 minutes | 869 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Napalm Records Handels GmbH
Single Blurb “What I deserve”: Scott Stapp follows hard-hitting first single “Higher Power” with mid-tempo anthem “What I Deserve” which smolders with the delicate yet blistering guitar work of Yiannis Papadopoulos and observations about the mutual sentiment but inherent duality within relationships. Stapp’s upcoming album Higher Power (2024) follows 2019’s The Space Between The Shadows, which debuted at #3 on the US Current Rock Albums chart, the US Current Hard Music Albums chart, and the UK Official Rock and Metal Chart
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Rachel Kolly d’Alba, Christian Chamorel – Brahms Violon Sonatas (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:09:35 minutes | 1,23 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Indésens Calliope Records
Rachel Kolly, with her 1732 Stradivarius, brings an exceptional sound dimension to the sonatas, in perfect harmony with Christian Chamorel’s piano. The duo, known for their refined interpretation and artistic complicity, marks an important milestone in their musical journey with this emblematic recording.
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Peter Garrett – The True North (2024)
FLAC (tracks) 24 bit/88,2 kHz | Time – 36:51 minutes | 721 MB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Sony Music Entertainment
Peter Garrett has spent a lifetime exploring the beaten and unbeaten tracks that run through this country and its people. In March 2024 he will release a new solo album called The True North. It’s a deeply personal reflection on his singular journey, drawing inspiration and sustenance from the living colours of Australia’s natural environment and the sights and sounds of modern Oz. Recorded with his band The Alter Egos (which includes Martin Rotsey from the Oils on guitar) and produced by Tony Buchen (Smashing Pumpkins, Montaigne, G-Flip, Tim Finn). It will be Peter’s second solo release, following 2016’s ‘A Version Of Now’ which made the top 3 on the ARIA chart. The core band involved in making the album was Martin Rotsey (Midnight Oil) on guitar with Heather Shannon (The Jezabels) on piano and keys, Evan Mannell on drums and Rowan Lane on bass. Freya Schack-Arnott on cello and Ollie Thorpe on pedal steel joined in too as did two of Peter’s daughters, May and Grace who sang on some of the key tracks.
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Paula Sides & Sergey Rybin – La voix humaine (2024)
FLAC (tracks) 24 bit/192 kHz | Time – 01:00:41 minutes | 1,91 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © VOCES8 Records
Soprano Paula Sides and pianist Sergey Rybin have teamed up for this vibrant new recording of works by the French 20th Century composer Francis Poulenc. The centrepiece of the album is Poulenc’s short solo opera La voix humaine (“The human voice”), based on the play of the same name by his friend Jean Cocteau.
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One For All & George Coleman – Big George (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 59:16 minutes | 1,29 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Smoke Sessions
Acclaimed sextet One for All makes its much-anticipated return with BIG GEORGE, its first release in seven years and its 17th. The album reunites Eric Alexander, Jim Rotondi, Steve Davis, David Hazeltine, John Webber, and Joe Farnsworth, who are joined on three tracks by a very special guest saxophonist, their mentor and hero, NEA Jazz Master George Coleman.
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Michel Sardou – Je me souviens d’un adieu (Live / 2023) (2024)
FLAC (tracks) 24 bit/48 kHz | Time – 01:44:12 minutes | 1,28 GB | Genre: Chanson, Pop
Studio Masters, Official Digital Download | Front Cover | © Universal Music Division Mercury Records
MICHEL SARDOU ‘Je me souviens d’un adieu’. Le double album live de la dernière tournée du plus grand artiste populaire français.
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Matteo Cossu, Bruno Canino – Bartók: Works for Violin & Piano (2024)
FLAC (tracks) 24 bit/44,1 kHz | Time – 56:10 minutes | 563 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Dynamic
Bela Bartok’s friendship with violinists Joseph Szigeti and Zoltan Szekely allowed him to acquire an in-depth knowledge of the violin that informed his writing. Both Rhapsodies for violin and piano are structured in two parts, a Lassu and a Friss – a Moderato followed by an Allegro. The First Rhapsody draws on Bartok’s ethnological studies in its use of Romanian folk dances, while the Second is a more enigmatic work. The Violin Sonata No. 1 is an earlier piece full of atmospheric drama and grandiose gestures, impressionistic in places and concluding with rich Hungarian folk motifs.
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