Duo – Helene Grimaud & Sol Gabetta (2012) [Official Digital Download 24bit/96kHz]

Duo – Helene Grimaud & Sol Gabetta (2012)
FLAC (tracks) 24-bit/96 kHz | Time – 01:15:08 minutes | 1,38 GB | Genre: Classical
Studio Master, Official Digital Download – Source: prestoclassical.co.uk | Artwork: Digital Booklet | © Deutsche Grammophon
Recorded: May 2012 at Philharmonie Essen, Germany

Two of today’s most passionate and inspirational artists join forces in the recital programme that brought audiences to their feet at the Menuhin Festival in Gstaad in Summer 2011. The chemistry between Hélène Grimaud and Sol Gabetta left critics and audiences nothing short of euphoric and this first duo recording captures the revelatory magic of their collaboration

The album reprises the same programme the duo performed in Gstaad: Robert Schumann’s Fantasiestücke, Claude Debussy’s Sonata for Cello and Piano in D minor, Johannes Brahms Sonata for Cello and Piano No.1 in E minor and Dmitri Shostakovich’s Sonata for Cello and Piano.

Hélène’s recordings have been best-sellers on the Yellow Label with more than 800,000 units sold altogether to date. Sol is also a best-selling, chart-storming artist, who is regarded as one of the great cellists of our day.

Argentine-Swiss cellist Sol Gabetta and the nationally unclassifiable Hélène Grimaud (who is listed first in the graphics here, presumably so that Deutsche Grammophon may capitalize on her former enfant terrible reputation) are both known for a tendency toward interpretations that push the extremes. Grimaud, in fact, has named Glenn Gould, still among the greatest extremists of all, as an exemplar. But, perhaps because the necessity of working in a duo puts a damper on strong manifestations of individualism, the two play it pretty straight on this, the first duo recording for both. Their interpretations in this diverse recital of Romantic and modern pieces, in fact, tend distinctly toward the quiet side. Although Grimaud has resolutely declined to classify herself as French (she is of North African Jewish background, spent some years in Florida, and then lived in Switzerland), this is a chamber recital in the classic French vein, with plenty of impeccably elegant passagework from both players and an absence of emphatic gesture even in the Drei Fantasiestücke, Op. 73, of Schumann, which are arch-Romantic pieces. The Brahms Sonata for piano and cello No. 1, Op. 38, gets a very light touch that does delightful things with the contrapuntal finale. The pair are clearly at home in the Debussy cello sonata, and really the only piece that falls flat is the concluding Cello Sonata, Op. 40, of Shostakovich, where the restrained performance misses the icy fear of the slow movement and the sarcastic snap that was so characteristic of the composer’s early years. The sound, from the Philharmonie Essen hall, is a bit too spacious for the music but is up to the task of capturing clearly the fine detail work on exhibit here. –James Manheim


Robert Schumann (1810 – 1856)
Fantasiestücke, Op.73
1. 1. Zart und mit Ausdruck 3:13
2. 2. Lebhaft, leicht 3:13
3. 3. Rasch und mit Feuer 3:53

Johannes Brahms (1833 – 1897)
Sonata For Cello And Piano No.1 In E Minor, Op.38
4. 1. Allegro non troppo 14:27
5. 2. Allegretto quasi minuetto 5:26
6. 3. Allegro – Più presto 6:22

Claude Debussy (1862 – 1918)
Sonata For Cello And Piano In D Minor, L.135
7. 1. Prologue (lent) 4:36
8. 2. Sérénade (Modérément animé ) 3:13
9. 3. Finale (Animé ) 3:40

Dmitri Shostakovich (1906 – 1975)
Sonata For Cello And Piano, Op.40
10. 1. Allegro non troppo 11:56
11. 2. Allegro 2:50
12. 3. Largo 8:21
13. 4. Allegro 3:58

Sol Gabetta, Cello
Hélène Grimaud, Piano



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