Sophia Ardessore – Porto de Paz (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 37:06 minutes | 683 MB | Genre: Latin Jazz
Studio Masters, Official Digital Download | Front Cover | © Sophia Ardessore [dist. Tratore]
Singer and songwriter residing in Sao Paulo (SP), Sophia Ardessore releases her first album, Porto de paz, on June 12. On the scene since 2009, the artist transits the universe of samba-jazz in this disc recorded with musical production and arrangements by bassist Fi Marostica.
The album Porto de paz was recorded at the studio paulistano Arsis, with Adonias Souza Jr. mixing and mastering the disc, first unmarried, Perigodesembarks on digital players on May 27th.
Danger is music by Vidal Assis, a recurring composer in the credits of the repertoire. In addition to PerigoVidal Assisi is Partner of Joyce Moreno in who said that European dissedivir a Vaza authorship with Sergio Souto and signs alone silence and the title song Porto de paz.
Jangada De Joao is a composition by Philo Machado. Sophia Ardessore herself is a composer of Clara and share the creation of glass of water with Chica Barreto.
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Sontraud Speidel – Fanny Mendelssohn: Piano Works (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 01:00:51 minutes | 514 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Ars Produktion
Sontraud Speidel’s selection of works by Fanny Hensel reveals the true diversity and originality of one of the most important women composers. Only a small fraction of Hensel multifaceted oeuvre has entered the repertoire until today, and numerous treasures from her pen are still awaiting discovery.
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Sonja Indin – And Then She Wrote – Poetry Goes Jazz (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 59:34 minutes | 737 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © TCB The Montreux Jazz Label
There’s the title cut: or rather, the George Shearing instrumental to which Indin has set her own lyrics, and whose title “And then I wrote” she (re)makes her own, in tribute to the female poets she has mobilised for her project. Indin’s feisty words against Shearing’s cool vibe create a productive tension, as the female practitioner of a male- dominated craft takes over the “master’s tools”, not so much to dismantle his house as to rebuild it, driven both by her need for liberation “Speak your mind, pronounce it” and by her desire for a revivification of a revered tradition “I first heard this song / I had to hum along, / N’ then I wrote these lines / Substantial words that rhyme.” Rather than being cowed by her great predecessors, or crushed by the continuing injustices of her age (“Bewildered as I am / In these modern times”), Indin resolves to make her mark, on the musical world and in her life as a woman and mother. Because, as she writes, “Who gives in speechless? / Careless? Wordless?” Well, not Sonja Indin, that’s for sure.
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Sound Cipher – All That Syncs Must Diverge (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 39:16 minutes | 799 MB | Genre: Experimental, Electronic, Jazz, Rock
Studio Masters, Official Digital Download | Front Cover | © Royal Potato Family
Sound Cipher is the surreal, pulsating audio vision shared by three of modern music’s most uncompromising sound sculptors. It’s the sort of thing that emerges when Tim Alexander (Primus, Puscifer, A Perfect Circle) finds himself inside a thunderous duo improvisation with Skerik (Critters Buggin, Garage A Trois, Les Claypool’s Frog Brigade) during a soundcheck for Primus’ Chocolate Factory tour in Oakland CA. One person surrounded by a circular percussion station of preposterous proportions, another person hurling psychedelic saxophonic screams into the hellfire of analog and digital circuitry.
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Sonny Terry – Walk On (2005)
FLAC (tracks) 24 bit/44,1 kHz | Time – 55:08 minutes | 218 MB | Genre: Blues
Studio Masters, Official Digital Download | Front Cover | © Justin Time Records Inc.
Although Sonny Terry & Brownie McGhee had a stormy, tempestuous relationship at times, they recorded more than their share of great Piedmont blues during their many years as a duo. Terry and McGhee parted company in the mid-’70s, but Walk On finds the two of them reunited on-stage at the Rising Sun Festijazz in Montreal, Quebec on July 22, 1980 (when Terry was 68 and McGhee was 64). And despite all of the well-publicized friction that sometimes existed between them in the ’60s and ’70s, Terry and McGhee don’t sound like they are unhappy to be reunited — not at all. In fact, the two of them enjoy a strong rapport during a six-song set that includes performances of “Good Morning Blues,” “Walk On,” and “I’m Gonna Get on My Feets After a While” (which is a perfect example of why the Terry & McGhee twosome was highly regarded in both blues and folk circles). Walk On isn’t strictly a Terry & McGhee release; while half of the LP is devoted to them, the other half consists of three selections by Lightnin’ Hopkins and three by Louisiana Red (who is in good form on “I’m a King Bee” and “Sweet Home Chicago”). And it is interesting to note the stylistic differences between the artists — you have Piedmont blues from Terry & McGhee, Texas blues from Hopkins, and a Louisiana-meets-Chicago approach from Louisiana Red. Although Walk On falls short of essential, this album still has a lot going for it and is an enjoyable document of the 1980 festival in Montreal. – Alex Henderson
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Soul Asylum – Grave Dancers Union (1992/2022)
FLAC (tracks) 24 bit/192 kHz | Time – 45:05 minutes | 1,70 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Columbia
Soul Asylum’s breakthrough, million-selling Grave Dancers Union yielded the mega-hit “Runaway Train” and put the band in a whole new league; longtime fans were predictably disappointed with the slick results. This is a solid alternative rock record with singer/songwriter/vocalist Dave Pirner upfront, a role he was built for but always seemed to resist until this clear do-or-die moment for the band. Soul Asylum did; however, they never matched the success or consistency of this album. Tracks like “Home Sick” and “New World” bear the roots of the country-rock revival later forged by Son Volt and Wilco, while the angst-ridden “Somebody to Shove” is pure joy Soul Asylum-style. – Denise Sullivan
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Pacifica Quartet featuring Uniting Voices and Josephine Lee – American Voices (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:18 minutes | 1,17 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Cedille Records
The multiple Grammy Award-winning Pacifica Quartet continues its highly acclaimed recording series that explores the sounds of America with an album comprising string quartets incorporating elements of American folk music and spirituals by Antonín Dvořák, Florence Price, and Louis Gruenberg, plus a new work by James Lee III.
Praised by The Telegraph as “nothing short of phenomenal,” Pacifica is known for its “remarkable expressive range and tonal beauty” (New York Times). With a career spanning nearly three decades, Pacifica has established itself as the embodiment of the senior American quartet sound.
Read moreSophie Jamieson – Choosing (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 44:04 minutes | 456 MB | Genre: Indie Folk, Singer-Songwriter, Female Vocal
Studio Masters, Official Digital Download | Front Cover | © Bella Union
Released via her new home at Bella Union, Sophie Jamieson’s Choosing is a strikingly personal document of a journey from a painful rock bottom of self-destruction to a safer place imbued with the faint light of hope. Focusing on the bare bones of each song and taking inspiration from the direct and melodic work of songwriters such as Elena Tonra, Sharon Van Etten, and Scott Hutchison, it’s an album that sings openly of longing and searching, of trying, failing, and trying again – and always and throughout, the strength of love in so many varying forms.
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