Freddie Hubbard – Keep Your Soul Together (1973/2023) [Official Digital Download 24bit/192kHz]

Freddie Hubbard – Keep Your Soul Together (1973/2023)
FLAC (tracks) 24 bit/192 kHz | Time – 38:25 minutes | 1,25 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Legacy Recordings

“Keep Your Soul Together” is an album recorded in 1973 by jazz trumpeter Freddie Hubbard. It was his fifth studio album released on Creed Taylor’s CTI label, and features performances by Hubbard, Junior Cook, George Cables, Aurell Ray, Kent Brinkley, Ron Carter, Ralph Penland and Juno Lewis.

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Freddie Hubbard – The Body & The Soul (1963) [Analogue Productions 2010] SACD ISO + Hi-Res FLAC

Freddie Hubbard – The Body & The Soul (1963) [Analogue Productions 2010]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 36:18 minutes | Scans included | 1,53 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 719 MB

The second of trumpeter Freddie Hubbard’s two Impulse albums features the 25-year old in three separate settings. He is heard along with a tenor-saxophonist backed by strings (“Skylark,” “I Got It Bad” and “Chocolate Shake” are all given beautiful treatments), with a 16-piece band and in a septet with Eric Dolphy and Wayne Shorter. This well-rounded and highly recommended showcase shows why Freddie Hubbard was considered the top trumpeter to emerge during the early ’60s.

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Freddie Hubbard – Hub-Tones (1963) [Analogue Productions 2011] SACD ISO + Hi-Res FLAC

Freddie Hubbard – Hub-Tones (1963) [Analogue Productions 2011]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 61:13 minutes | Scans included | 2,48 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,14 GB

Trumpeter Freddie Hubbard teams up on record with James Spaulding (who doubles on alto and flute) for the first time on this excellent set, with the assistance of pianist Herbie Hancock, bassist Reggie Workman, and drummer Clifford Jarvis. The quintet performs four of the trumpeter’s originals (including “Lament for Booker” and the title cut) plus an advanced version of the standard “You’re My Everything.” John Coltrane’s modal music was starting to influence Hubbard’s conception and his own playing was pushing the modern mainstream ahead without really entering the avant-garde.

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Freddie Hubbard – The Hub of Hubbard (1970/2016) SACD ISO + Hi-Res FLAC

Freddie Hubbard – The Hub of Hubbard (1970/2016)
DSD64 (.dsf) 1 bit/2,8 MHz MHz | Time – 35:03 minutes | 1,38 GB
or FLAC (tracks) 24 bit/88,2 kHz | Time – 35:03 minutes | 704 MB
Studio Master, Official Digital Download – Source: highresaudio.com | Front Cover | © MPS

In 1970 Freddie Hubbard’s career reached a crossroads. Ten years after the trumpeter had released his debut album “Open Sesame” he could already take stock in an impressive array of achievements: around a dozen albums under his own name for Blue Note and Atlantic, participation in ground-breaking free jazz albums by Coltrane and Ornette Coleman, the development of an original sound somewhere between hard bop, soul, and fusion. From there he broke out and into his popular phase with CTI Records. At the same time this MPS album loomed on the horizon as a milestone. Hubbard recorded the album at the MPS studios in Villingen, Germany during a break in his European tour, thus we get to experience a musician and his world-class quintet spontaneously interacting in an open setting. Those who are familiar with the many dreamy versions of the standard “Without a Song” will be thrilled with this 13-minute escapade spotlighting the band’s unbridled play. Hubbard’s dialogue with saxophonist Eddie Daniels and drummer Louis Hayes’ powerful impulse crown the piece. The energy and enthusiasm increases on “Just One of Those Things”, as the players unleash an incredible chain of hard-bopping staccato lines. Hubbard dedicates the playful “Blues For Duane” to his son; bassist Richard Davis grounds the piece in a light-hearted, earthy feel. Hubbard reveals his radiant melodic prowess as he interprets “The Things We Did Last Summer” in broadly swinging arcs, congenially supported by Roland Hanna’s piano harmonies. Davis has another shining moment as he brings the piece to an end with just the right pensive touch.

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Freddie Hubbard, Stanley Turrentine – In Concert Volume Two (1973/2017) [Official Digital Download 24bit/192kHz]

Freddie Hubbard, Stanley Turrentine – In Concert Volume Two (1973/2017)
FLAC (tracks) 24 bit/192 kHz | Time – 41:51 minutes | 1,57 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © CTI Records

In Concert Volume Two is a live album recorded in 1973 by jazz trumpeter Freddie Hubbard pianist, Herbie Hancock and tenor saxophonist Stanley Turrentine. It was recorded in Chicago and Detroit for Creed Taylor’s CTI label and features performances by Hubbard, Turrentine, Hancock, Eric Gale, Ron Carter and Jack DeJohnette.

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Freddie Hubbard, Stanley Turrentine – In Concert Volume One (1973/2017) [Official Digital Download 24bit/192kHz]

Freddie Hubbard, Stanley Turrentine – In Concert Volume One (1973/2017)
FLAC (tracks) 24 bit/192 kHz | Time – 38:40 minutes | 1,52 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © CTI Records

A 1973 live album co-starring Freddie Hubbard (tp) and Stanley Turrentine (ts), two horn players representing CTI. He is developing an incandescent interplay with all-star groups Herbie Hancock (elp), Eric Gale (g), Ron Carter (b) and Jack DeJohnette (ds). Both of the two songs recorded are enthusiastic performances that exceed 19 minutes, and the whole play of the super players will be developed. In particular, the performance of Hubbard’s masterpiece “Gibraltar”, in which the group burns together, is impressive.

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Freddie Hubbard & Woody Shaw – The Eternal Triangle (1987/2014) [Official Digital Download 24bit/192kHz]

Freddie Hubbard & Woody Shaw – The Eternal Triangle (1987/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 41:50 minutes | 1,60 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records

No one should consider the pairing of great jazz trumpeters Freddie Hubbard and Woody Shaw akin to oil and water. Both are on fire, defer to each other’s personalized sound, and swing hard with fervor, supported by an equally talented band featuring the always wondrous pianist Mulgrew Miller, bassist Ray Drummond, and drummer Carl Allen. The X factor is alto saxophonist Kenny Garrett, fresh off a stint with Miles Davis, who rounds out the overall sound and contributes a vital harmonic element to the double-edged swords Hubbard and Shaw wield. The eight tracks are balanced between originals by the co-leaders and compositions from their revered predecessors, all molded into straight-ahead, no-nonsense hard bop. Shaw’s famous “Moontrane” and lesser-known “Tomorrow’s Destiny” are shining examples of how to modernize tried and true bop themes, the former a memorable hard-charging number with the brass players shadowing each other in full, rich dialog, the latter cleanly moving from inventive spatial modal tones to calypso and bebop with seamless acumen. Hubbard’s “Down Under” challenges the soul shuffle precept with some great harmonic content from the three horns, while the neglected “Nostrand and Fulton” moves from beats of four, five, and six with seeming magical cues that fool you until you listen a second or third time. Lee Morgan’s “Calling Miss Khadija” contains much spirit in a modal 6/8 framework; Kenny Dorham’s “São Paulo” uses flutter and trilled unison lines effectively with melodic long tones and tuneful notes within the spaces; and the straight Sonny Stitt bopper “The Eternal Triangle” simply steams ahead with Hubbard, Shaw, and Garrett like a passenger train. Little Benny Harris wrote the closer, “Reets and I,” for Bud Powell, and on this session the band does nothing to diminish its impact. What Miller brings to this group cannot be discounted, a presence in terms of support, but also one who is clearly having a ball inventing chords and substituting his own harmonic flourishes, clearly inspired by his cohorts. This group toured sporadically, giving live audiences a stretched-out taste of what these two brilliant musicians were capable of dishing out in their later — but still formative — years. You’d be hard-pressed to find another pairing of great jazz trumpeters that made music as spectacular as is heard on this essential recording, perfect or fans, students, or those who simply love a hard-swinging, boldly played brass horn or two. –Michael G. Nastos

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Freddie Hubbard – Double Take (1985/2014) [Official Digital Download 24bit/192kHz]

Freddie Hubbard – Double Take (1985/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 44:00 minutes | 1,66 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records

This compelling album marked the first of two historic collaborations in the 1980s from trumpet innovators Freddie Hubbard and Woody Shaw. In addition to the two starring trumpeters, the session features alto saxophonist Kenny Garrett, pianist Mulgrew Miller, bassists Cecil McBee and Ray Drummond and drummer Carl Allen.

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Freddie Hubbard – The Night Of The Cookers (Volume Two Live) (1965/2014) [Official Digital Download 24bit/192kHz]

Freddie Hubbard – The Night Of The Cookers (Volume Two Live) (1965/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 45:15 minutes | 1,87 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records

On The Night of the Cookers, Freddie Hubbard plays with Lee Morgan, James Spaulding, Harold Mabern, Jr., Larry Ridley, Pete LaRoca and Big Black. Recorded on April 9 & 10, 1965 and released that same year, the album has been described as “one of the most compelling documents of a live band in full flight” (Maxwell Chandler, Jazz Police).

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Freddie Hubbard – The Night Of The Cookers (Volume One Live) (1965/2014) [Official Digital Download 24bit/192kHz]

Freddie Hubbard – The Night Of The Cookers (Volume One Live) (1965/2014)
FLAC (tracks) 24 bit/192 kHz | Time – 41:42 minutes | 1,74 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Blue Note Records

On The Night of the Cookers, Freddie Hubbard plays with Lee Morgan, James Spaulding, Harold Mabern, Jr., Larry Ridley, Pete LaRoca and Big Black. Recorded on April 9 & 10, 1965 and released that same year, the album has been described as “one of the most compelling documents of a live band in full flight” (Maxwell Chandler, Jazz Police).

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Freddie Hubbard – The Hub of Hubbard (1970/2013) [Official Digital Download 24bit/192kHz]

Freddie Hubbard – The Hub of Hubbard (1970/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 34:59 minutes | 1,43 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © MPS

Hub-Tones from trumpeter Freddie Hubbard features his original songs as well as a spiced-up version of the standard You’re My Everything, recorded in October 1962 for Blue Note. The lineup backing Hubbard includes James Spaulding on alto sax and flute, Reggie Workman on bass, Clifford Jarvis on drums and the legendary Herbie Hancock on piano.

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Freddie Hubbard – The Artistry Of Freddie Hubbard (1962/1996) [Official Digital Download 24bit/96kHz]

Freddie Hubbard – The Artistry Of Freddie Hubbard (1962/1996)
FLAC (tracks) 24 bit/96 kHz | Time – 43:03 minutes | 970 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Impulse!

Over the course of his nearly five decade career, trumpeter Freddie Hubbard established himself as one of the most versatile and inventive jazz musicians of the twentieth century. The Grammy-winning virtuoso appeared on some of the most important albums in the genre, including seminal works by Ornette Coleman, Herbie Hancock, Art Blakey, John Coltrane, and countless others. The Artistry Of Freddie Hubbard, his fifth album for Impulse!, is a spellbinding piece of jazz history. Hubbard’s molten lines are augmented by the trombone work of the legendary Curtis Fuller and tenor saxophonist John Gilmore of the Sun Ra Archestra. One of the all-time great jazz records.

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Freddie Hubbard – Sweet Return (1983/2011) [Official Digital Download 24bit/192kHz]

Freddie Hubbard – Sweet Return (1983/2011)
FLAC (tracks) 24 bit/192 kHz | Time – 48:11 minutes | 1,68 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Rhino Atlantic

Sweet Return is a definitive outing from the energetic trumpeter Freddie Hubbard. Joined by an all-star lineup of bassist Eddie Gomez, pianist Joanne Brackeen, drummer Roy Haynes and tenor Lew Tabackin, the ensemble tenderly interprets standards with an overwhelming amount of originality. Standout moments included the classics, “Misty,” “Whistling Away The Dark,” and “The Night Has A Thousand Eyes.” Hubbard’s timing is beautifully spaced and his tone has never sounded more vibrant. Experience this masterwork as a super hi-res download!

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Freddie Hubbard – Sky Dive (1973/2016) [Official Digital Download 24bit/192kHz]

Freddie Hubbard – Sky Dive (1973/2016)
FLAC (tracks) 24 bit/192 kHz | Time – 34:42 minutes | 1,33 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © CTI Records

Sky Dive is the twentieth album recorded in 1972 by jazz trumpeter Freddie Hubbard. It was his fourth album released on Creed Taylor’s CTI label and features performances by Hubbard, Keith Jarrett, George Benson, Ron Carter, Billy Cobham, Airto Moreira and Ray Barretto.

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Freddie Hubbard – Red Clay (1970/2013) [Official Digital Download 24bit/192kHz]

Freddie Hubbard – Red Clay (1970/2013)
FLAC (tracks) 24 bit/192 kHz | Time – 39:19 minutes | 1,49 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © CTI

This may be Freddie Hubbard’s finest moment as a leader, in that it embodies and utilizes all of his strengths as a composer, soloist, and frontman. On Red Clay, Hubbard combines hard bop’s glorious blues-out past with the soulful innovations of mainstream jazz in the 1960s, and reads them through the chunky groove innovations of ’70s jazz fusion. This session places the trumpeter in the company of giants such as tenor saxophonist Joe Henderson, pianist Herbie Hancock, bassist Ron Carter, and drummer Lenny White. Hubbard’s five compositions all come from deep inside blues territory; these shaded notions are grafted onto funky hard bop melodies worthy of Horace Silver’s finest tunes, and are layered inside the smoothed-over cadences of shimmering, steaming soul. The 12-minute-plus title track features a 4/4 modal opening and a spare electric piano solo woven through the twin horns of Hubbard and Henderson. It is a fine example of snaky groove music. Henderson even takes his solo outside a bit without ever moving out of the rhythmatist’s pocket. “Delphia” begins as a ballad with slow, clipped trumpet lines against a major-key background, and opens onto a midtempo groover, then winds back into the dark, steamy heart of bluesy melodicism. The hands-down favorite here, though, is “The Intrepid Fox,” with its Miles-like opening of knotty changes and shifting modes, that are all rooted in bop’s muscular architecture. It’s White and Hancock who shift the track from underneath with large sevenths and triple-timed drums that land deeply inside the clamoring, ever-present riff. Where Hubbard and Henderson are playing against, as well as with one another, the rhythm section, lifted buoyantly by Carter’s bridge-building bassline, carries the melody over until Hancock plays an uncharacteristically angular solo before splitting the groove in two and doubling back with a series of striking arpeggios. This is a classic, hands down.

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